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The Fabric of the Cosmos

by Kevin Cryderman

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1.
Lawn Chairs 04:44
I’ll save you from the heat-seeking missiles We can hide under my bed They’re waiting just outside the window As planes crash down above our heads We imbibe tonight and watch the sun rise Am I paralyzed, or am I not surprised? I’d like to forget, as we watch the moon set That I’ll have to move soon, but we haven’t got there yet What do I, what do I leave behind? We woke up and you said you remembered But that was just the dream in the dream I played you the song that I wrote within it And I taped it for posterity Chorus We can all drink under the table You always look like you’re having fun But your exaggerated postures of sobriety Are not fooling anyone What do I, leave behind? What do I, stuff in the car today? What do I, give to you? What do I, just throw away? Chorus What do I leave behind? What do I leave behind?
2.
Burn It Down 03:20
I’m surrounded by, surrounded by youth as I walk the hall I’m out of place, out of space, now, I’m a fish on the wall Everybody’s dancing and painting their skin Tiny laser lights are scattered and thin I should go home, but I’m pulled into the sound I’m waking down tonight, everything’s gonna be okay It’s a tall lie that is wasted on today Louder than the time I find in this academic costume The feedback’s washing over me, pushing me out of the room
3.
Somersaults 05:02
I watch you hanging upside down, clipping the high branches So far above the ground, framed in the bay window I just stay, inside and play, with my acrophobia The sun light is so full and bright; it’s everything I want to be I notice your safety harness, keeping you from falling I love when you do somersaults, and all the world is calling I just work, sitting on the floor, with my agoraphobia I want to step outside, into the light, if I could just open the door.
4.
The more I know where, the less I know the speed Everything moves in its own time I was both here and somewhere else I can begin again I can investigate, but things will change when I measure them I try to calculate, but infinity stays ahead of me It’s not definite; it’s probability It’s relative, but also/all so jittery We are light years apart, but we’re still entangled Our histories are entwined And I cannot leave this world alone I cannot leave this world alone My conceptual apparatus, cannot account for these anomalies Even if the paradigm changes, there remains an uncertainty But I cannot leave this world alone I cannot leave this world alone And from consuming gravity, everything, everything’s expanding From every moment, it rushes away Even though, we remain adjacent Everything goes away; everything goes away Moments never change, but everything goes away Everything goes away Moments never change And adjacent we remain
5.
“I think it’s better,” I heard myself say I think it’s better, it’s better off this way All the things that I’ve lost, accidentally I will not mourn the cost, of gaining objectivity There’s not a thing that you can do about it Even with a way out or place for blame You claim that you can prove without a doubt But it’s a Pyrrhic Victory: it all ends the same. There’s not a thing that you can do about it Even with a way out or place for blame You claim that you can prove without a doubt But it’s a Pyrrhic Victory: it all ends the same. It all ends the same It all ends the same It all ends the same…
6.
Letters from India, letters from India Everything that you’ve been waiting for, Is suddenly happening fast It’s an alternate universe How long will this feeling last? How long will this newness last? You take, all that you can fit And what you’re missing, I will find and send to you And I, I will be alone tonight But I’ll reply every week and your journals speak to me Everything, that you’re thinking And all, that you’re drinking in And dancing on bar tops The monsoons have suddenly stopped It’s great but not quite the same this year Some people are complaining here There is no big cultural show But I’m at the point I can let it go Everything that you’ve been waiting for, Is suddenly happening fast It’s an alternate universe How long will this feeling last? How long will this newness last?
7.
I traveled to Haight and Ashbury I was looking for peace, love and harmony But all that I found was some drugged-out freaks Dancing around in regressive mystiques Is the summer of love just media hype Is the summery of love just a stereotype? I don’t want transcendence, just pass my pipe Let’s make love: you seem like my type I think I’ve been to this rally before I just want to protest, I don’t care what it’s for It’s all the fault of the corporate elite That I don’t have shoes on my dirty feet Is the summer of love just media hype Is the summery of love just a stereotype? I don’t want transcendence, just pass my wife Let’s make love: you seem like very nice
8.
Teflon Girl 04:10
Do you not notice? I’m hitting on you can’t you see? You make a better door than a window of opportunity. Teflon girl, my flirtations never stick. It’s like you’ve got an Iron Man suit, All of my bullets just bounce off you Are you really this impervious, or are you just oblivious? I’d prefer it if you were more pervious, and I don’t know what to do Am I wasting my time, can I buy you a glass of wine, Teflon Girl? Do you not notice, when I try to get closer now I find I can’t afford you, when I try to check you out Teflon girl, why is it always ‘return to sender’? You’re like the guy from Memento, 15 minutes later you can’t remember Are you really this impervious, or are you just oblivious? I’d prefer it if you were more pervious, will you show me a sign? You’re stand-offish that is fine, would you like to make stir fry, Teflon girl?
9.
Sometimes 02:03
You have gone, but you’ll be back again I suppress you, cuz you’re not my friend You’re here for life, on a shelf You’re a knife, and I gave it to myself Sometimes, the stigma is worse than the problem The fear is worse than the pain I wanted more to say, today You have gone, but you’ll be back again I suppress you, cuz you’re not my friend I tried to fix it, but made it worse As expected, I do it to myself Sometimes, the cure is worse than the dis-ease The side effects don’t subside While looking for pieces of mind Sometimes, God isn’t in the details The truth isn’t in the sky It’s not something you find…
10.
I’ve seen your face, a thousand times, waiting for you to see mine. I will always try… I’ve traveled far, across the sea, through waves of time and misery, (be)cause I know you well. By the red earth and ancient trees, our immortal river bleeds, and it fills the sky. The voice of slaves beneath the sun, children bought with money run. Are they just a shell? It’s been 20 years, since they sentenced me, to walk the hours, in this anomie, To live, to learn to be free, (Be)cause I give, I never knew how to be. From all of my misdeeds, from all the books I read, and all the words I write, from all the poems I recite: I grow. I learn to be free. You know, I always wanted to be. To the East, to a fallen land, I walked across the desert sands. My hands bound and shackled feet, through the wind I could not see. If you feel I’m hiding, it’s when I always wanted to be. When you see me shining, you’ll know I’ve learned to be free. They left me in the ancient ruins; I woke up in the temple of the moon. I looked down to the underworld; Osiris took my soul unfurled. If you feel I’m hiding, it’s when I always wanted to be. When you see me shining, you’ll know I’ve learned to be free. Is all alone, how we’ll always be? Is all One, how we are free? The daughters of Albion hear her woes, and echo back her sighs. Can they just see the world with, and not through their eyes? There’s a stream of consciousness, running thorough humankind. There’s a stream of consciousness, moving from mind to mind. The daughters of Albion hear her woes, and echo back her sighs. Can they just see the world with, and not through their eyes?

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An eclectic mix of folk, rock and pop with unusual lyrics and interesting melodies.

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released April 26, 2018

Kevin Cryderman: everything, except for "Visions of the Daughters of Albion": Anand Greenwell on bass, keys, background vocals, programming, production and engineering (with Graham Coady), Erynn Marshall on violin and Steve Sawatsky on percussion

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Kevin Cryderman Victoria, British Columbia

Kevin Cryderman is an eclectic singer-songwriter whose styles include folk, pop, rock, blues, instrumental, electronica, heavy metal, world, and comedy.

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